A Point and Click Music Session With “Modulation”
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
Read MoreMarcina Zaccaria is a writer, director, and arts administrator. She is published in the New Crit section of Howl Round, and her clips can be found on Twitter. She has written the plays, "Revolution, An Artistic Explosion," "Village, My Home," and "All About Image/ We Are The Elite." Her monologues have been published in "InterJACtions: Monologues from the Heart of Human Nature (Vol. II)". She has directed readings and plays in venues that include New Dramatists, HERE Arts Center, Dixon Place, Soho Rep, 13th Street Repertory Theatre, Dance Theater Workshop, TheaterLab, the Ohio Theater, and the Museum of Jewish Heritage. She curated a Salon at Dixon Place. This one day event featured visual artists, spoken word artists, dancers, filmmakers, and theater artists. Marcina is a member of the League of Professional Theatre Women, and is a reader for the New York Musical Festival. Arts administration experience includes providing support for the Executive Director/ Contemporary Programming at Lincoln Center for the Performing Arts, Inc. She has worked in ticket sales at the Roundabout Theatre Company and Manhattan Theater Club. She has an MFA from Columbia University.
Posted by Marcina Zaccaria | 21st Feb 2021 | New York, Prototype 2021, Review, Theatre and Opera, United States of America
I was mesmerized by Courtney Love, performing in Kansas City Choir Boy at Prototype in 2015....
Read MorePosted by Marcina Zaccaria | 15th Oct 2020 | New York, Review, Theatre and Opera, United States of America
How do we continue forward without the great opera houses open? It is an extraordinary moment for...
Read MorePosted by Marcina Zaccaria | 31st Mar 2020 | Interview, New York, Theatre and Art, United States of America
Life cannot exist without art. That is something that is hard to get into people’s heads, because they say ‘I have to eat. I have to pay the rent. I have to be warm in the Winter and cooler in the Summer, if possible.’ They don’t realize that if you took their art away, if their art got taken away, they would die. They only know it, when it gets taken away.
Read MorePosted by Marcina Zaccaria | 10th Feb 2020 | New York, Review, Theatre and Opera, United States of America
With a smattering of words, carefully grouped to alert the scholar that collectivism and...
Read MorePosted by Marcina Zaccaria | 20th May 2019 | Festivals, Italy, New York, News
The In Scena Festival is an ambitious undertaking. Presenting work each year by Italian artists,...
Read MorePosted by Marcina Zaccaria | 26th Oct 2018 | Italy, New York, Review, Theatre and Politics, United States of America
Is Artemisia only a tough diva not to be silenced? Her strong arms and balanced stance find a place in her studio. While there isn’t any room for escape, there is the possibility of reaching beyond the gossip of the day and the anguish of the past.
Read MorePosted by Marcina Zaccaria | 30th May 2018 | Acting, Applied Theatre, New York, Participatory Theatre, Philippines, Review, Transcultural Collaborations, United States of America
Atlantic Pacific Theatre challenged their regular audience with a diptych, part process theater,...
Read MorePosted by Marcina Zaccaria | 31st Mar 2018 | New York, Review, United States of America
Those who like to combine pop culture with classical practice might find something of a younger Alanis Morissette in Meredith Monk. Drawing her strength from within, she intones. Silence is as important as the sound, as the tone dips and builds. Monk sings, “Oh, I’m a thinking woman, I’m a thinking woman.” She is in the moment, present, and recognized.
Read MorePosted by Marcina Zaccaria | 13th Nov 2017 | Festivals, New York, Review, Theatre and Dance, United States of America
Peh LO tah is an amazing experience for a diverse audience that transcends ethnic barriers. It’s emotional and visceral. Set and video design by David Szlasa includes large close-ups, reminiscent of a verité style popular in the 70s and 80s. In it, a sense of discovery has never been more profound.
Read MorePosted by Marcina Zaccaria | 14th Oct 2017 | Festivals, New York, Theatre and Opera, United States of America
It’s breathtaking, attending the 2017 BAM Next Wave Festival. Few opera houses have the majestic...
Read MorePosted by Marcina Zaccaria | 30th Sep 2017 | Theatre and Dance, United States of America
There is no growth without decay. When I was considering Dante in Italy, many years ago, I...
Read MorePosted by Marcina Zaccaria | 13th May 2017 | New York, Theatre and Opera, Transmedia, United States of America
Journeying back to late 1800s, we see how anti-semitism, the sympathies of a poet, and military...
Read MorePosted by Marcina Zaccaria | 19th Apr 2017 | New York, Theatre and Opera, United States of America
Creators of The (R)evolution of Steve Jobs appeared at the Guggenheim to discuss the creation of...
Read MorePosted by Marcina Zaccaria | 9th Feb 2017 | New York, Theatre and Opera, United States of America
Seeing Zimmerman’s work years ago seemed like a breath of fresh air. Her work is more like a revelation.
Read MorePosted by Marcina Zaccaria | 2nd Feb 2017 | Directing, Interview, Musical Theatre, United Kingdom
It’s definitely a rock-and-roll opera, with opera writ large. It very similar to working a scene from Beethoven or something like “Tristan und Isolde” or any of the Wagner operas.
Read MorePosted by Marcina Zaccaria | 16th Jan 2017 | Festivals, New York, News, Theatre and Opera, United States of America
PROTOTYPE captures the opera lover’s attention again this year, with offerings that...
Read MorePosted by Marcina Zaccaria | 13th Jan 2017 | Directing, Interview, Los Angeles, Theatre and Opera, United States of America
Yuval Sharon took a moment while driving to discuss the January 13 release of his mobile opera, “Hopscotch,” on Industry Record
Read MorePosted by Marcina Zaccaria | 18th Nov 2016 | Japan, New York, News, Theatre and Opera, United States of America
As we challenge the concept of myth and appreciate forms of presentation, “Sounds to Summon the Japanese Gods” is like a refreshment of the spirit.
Read MorePosted by Marcina Zaccaria | 28th Oct 2016 | News, Theatre and Opera
Returning to the Met’s Live in HD series is a moving production of Don Giovanni. Unlike longer operas, Mozart’s Don Giovanni feels like a whirling Two Act, with love, despair, and extraordinary descent into fire.
Read MorePosted by Marcina Zaccaria | 20th Oct 2016 | News, Theatre and Opera
Live – what is it and why does it matter? The Metropolitan Opera’s Live in HD series brings the best opera in the world to over 2,000 screens.
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