Milena Blue Spruce
assistant editor
Milena Blue Spruce, an avid dream journaler and aspiring editor, earned her bachelor's degree in English with a specialization in Creative Writing from Lehman College. She is an editorial assistant at Fictionmagazine and currently training to assist with copy editing. She has recently joined the editorial team at The Theatre Times as an editorial assistant. Milena is an expert at code switching between literary fiction, children's and YA literature, and manga. She can usually be found on the floor, hand-sewing stuffed animals to be sold on Etsy.
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Most Popular Posts
- Wicked the Musical Celebrates Its 20th Anniversary… by Lisa Monde 9th November 2023
- Sweeney Todd: Not a Demon, But a Barber of Fleet Street by Lisa Monde 24th September 2023
- “This Is Our Home” – Online… by Teodora Medeleanu 7th March 2024
- Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
- “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023
- Another World. Mihail Sebastian’s “A Star without a… by Vassili Schedrin 13th December 2023
- Design Writing: Five Views of Sarah Ruhl’s… by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos 24th January 2024
- Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
- Peter Sellars’ “Beatrice di Tenda”: Freedom,… by Maria Delgado 27th February 2024
- Beauty and Wisdom for Who: Disability in Simon… by Morgan Skolnik 10th June 2023
Recent Posts
- “I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age? 25th March 2024
- A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real 25th March 2024
- Alfredo Sanzol Stages Lorca’s “The House of Bernarda Alba”: Simmering Passions, Solitude and Surveillance 25th March 2024
- “Haywire:” An Unsettling Account On Mental Health Issues 22nd March 2024
- “ANGELA (a Strange Loop)”: The Wild and Wonderful World of Susanne Kennedy 22nd March 2024
- Re-imagining the City through Performance: “The Drifting Room”, Created and Performed by Stephen Bain 21st March 2024
- Find Your Voice, Loud and Clear: Musical “Il Tenore” Review 21st March 2024
- Stage to Screen: Támara Torres on “Orange Is The New Black,” Netflix Shaping Streaming 21st March 2024
- “The Bald Soprano,” French Absurd Theater Becomes a German Contemporary Opera Buffa 18th March 2024
- Tim Price’s “Nye” at the National Theatre: A Fun Life of the Creator of the National Health Service 14th March 2024