Liam Rees

author

“The House of Sorrow” – Jisun Kim

Posted by Liam Rees | 28th Sep 2020 | Germany, Review, Transmedia

Consciousness, cognition, and perception have fascinated Jisun Kim and The House of Sorrow is a...

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Simple As ABC #3: The Wild Hunt – Thomas Bellinck/ROBIN

Posted by Liam Rees | 7th Jun 2019 | Belgium, Review, Theatre and Politics

A bust of Aristotle stares out at the audience. A vaguely Romantic-style landscape depicting men...

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“Black: The Sorrows Of Belgium”–Luk Perceval/NTGent and “Flandria”–Roland Gunst/LOD

Posted by Liam Rees | 25th Apr 2019 | Belgium, Review, Theatre and Decolonization

A continuous conversation, not a hot topic With the reopening of the Africa Museum in Brussels and...

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Most Popular Posts

Olga Braga’s “Donbas” at Theatre 503: Complex… by Aleks Sierz 20th February 2026
In the City of al-Sayyab, Theatre Still Speaks by Amir Al-Azraki 19th February 2026
Terence Rattigan’s “Man and Boy” at the National… by Aleks Sierz 19th February 2026
The Trans Excellence of Faggotica by Morgan Skolnik 13th February 2026
Santiago’s Teatro a Mil 2026: theatre, democracy and… by Maria Delgado 4th February 2026
“The Phantom Of The Opera” Returns To Mexico: A… by Lorena Meeser 12th December 2025
“The Devil Wears Prada” and Other… by Lisa Monde 8th February 2026
Raising Fists and Sharing Bread: Tiziano Cruz’s… by Yizhou Zhang 5th February 2026
Frantic Assembly’s “Lost Atoms” at the… by Aleks Sierz 9th February 2026
Isolation, Consumer Desire and the Human Spirit: A… by David O'Donnell 2nd March 2026

Recent Posts

Romeo Castellucci “Believing In Masks” At Milan’s Fog Festival 13th March 2026
“Last Call” Brings Us Closer To Bernstein And Von Karajan 13th March 2026
“Is Love Energy Or Matter?” An Interview With Rok Vilcnik, Slovenian Playwright, Author, Musician, Poet 11th March 2026
The Piccolo Theatro’s “Miracle In Milan” 11th March 2026
“An Enemy Of The People:” An Oblique Look At Democracy From Schaubühne Berlin 9th March 2026
A Beer And A Mop 7th March 2026
“Digital Access To The Performing Arts” Released Open Access 7th March 2026
Dea Loher’s New Play “Frau Yamamoto Ist Noch Da” In Bremen And Osnabrück 5th March 2026
Monster Mash 3rd March 2026
Isolation, Consumer Desire and the Human Spirit: A Review of “The Chair and the Cello” 2nd March 2026

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