Jonathan Thonon

author

The Re-Invention Of Subtitling. A New Technical Approach To The International Market

Posted by Jonathan Thonon | 11th Nov 2018 | Essay, Romania, Theatre and Science, Translation

“Pour bien faire, il faudrait un film qui tournerait la traduction intégrale (de la pièce) à la...

Read More

Like Us On Facebook

Facebook Pagelike Widget

Advertisement

Most Popular Posts

Re-imagining the City through Performance:… by David O'Donnell 21st March 2024
“I Killed My Mother/It Wasn’t My Fault.”… by Teodora Medeleanu 25th March 2024
“Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023
Stage to Screen: Támara Torres on “Orange Is The New… by Alexander Fatouros 21st March 2024
Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
Design Writing: Five Views of Sarah Ruhl’s… by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos 24th January 2024
Sweeney Todd: Not a Demon, But a Barber of Fleet Street by Lisa Monde 24th September 2023
Wicked the Musical Celebrates Its 20th Anniversary… by Lisa Monde 9th November 2023
“Haywire:” An Unsettling Account On… by Tawanda Mupatsi 22nd March 2024

Recent Posts

“That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin 19th April 2024
Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) 12th April 2024
Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) 9th April 2024
Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)? 8th April 2024
Milan’s FOG Festival 7th April 2024
Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding 4th April 2024
The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea 2nd April 2024
“Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical 31st March 2024
“I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age? 25th March 2024
A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real 25th March 2024

SEARCH OUR ARCHIVES

Pin It on Pinterest