Gabrielle Edelstein

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We’ve Been Editing Shakespeare’s Plays for 400 Years— But Does a New Australian Production of “The Tempest” Idealize the Bard?

Posted by Gabrielle Edelstein | 25th Nov 2022 | Adaptation, Australia, Review, Sydney

Review: The Tempest, directed by Kip Williams, Sydney Theatre Company. The Tempest, first...

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Bell Shakespeare’s “Hamlet” Highlights the “Claustrophobic Personal Dynamics” of Shakespeare’s Play

Posted by Gabrielle Edelstein | 3rd Apr 2022 | Adaptation, Australia, Directing, Review

In a speech to the United Kingdom’s House of Commons on March 9, Ukrainian President Volodymyr...

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“The Museum of Modern Love” Reminds Us to Engage with Art – and Each Other

Posted by Gabrielle Edelstein | 5th Feb 2022 | Australia, Review, Theatre and Art

When was the last time you looked at a stranger in the eyes? Really looked, for an uncomfortably...

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Most Popular Posts

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On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part III] 23rd September 2024
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part II] 23rd September 2024
On The Other Side Of The Conundrum – A New Drama Inspired By “Picnic At Hanging Rock” In The National Theater Of Warsaw Poland [Part I] 23rd September 2024

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