The Beast is Back: Radiotheatre’s Live Audio Play “King Kong”
Since its original 1933 film debut, the story of King Kong has become a mainstay of America’s, and...
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Emily Cordes
Embrace All of Me: Jocelyn Kuritsky’s “A Simple Herstory”
The last several decades of U.S. history have seen a remarkable upswing in women’s political...
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“I Thought I Could Read God’s Mind”: Katrin Arefy’s “The Portrait of An Angel, A Lion, A Monster”
When reflecting on the experiences, and people, that have shaped us, certain individuals may...
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Sensation and Documentation: Jody Christopherson’s “Tussaud/Antoinette”
The name “Tussaud” has always been linked to sensationalism and popular culture: now synonymous...
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The Universal Immigrant: “Ellis Island” by James Clements and Doireann Mac Mahon
The last several years in our shared history, particularly the rise of discriminatory legislation,...
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The Body Tells the Story: Blessed Unrest’s “Touch”
The past year has, in many ways, turned a sharper lens towards our bodies, particularly our...
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Cards For Humanity: “Social Alchemix (Live!)” by Wil Petre
The COVID-19 pandemic has spawned an interesting social paradox: even as online platforms have...
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Embrace The Chaos: “Readymade Cabaret 2.0”
Given the year’s unsettling mixed-bag of a global pandemic, racial reckoning, political strife,...
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Reach Out And Touch Faith: “Guru Of Touch” By This Is Not A Theatre Company
After nearly half a year in quarantine, many artists still wrestle with the conundrum of COVID-era...
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Drink From The Well of Yourself: “Play In Your Bathtub” as Quarantine Comfort Theatre
Individual tastes notwithstanding, it can be argued that the best theatre is that which connects...
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“Play!” and “Theatre in The Dark: Carpe Diem” by This is Not A Theatre Company
True to the group’s moniker, This is Not A Theatre Company’s shows are deliberately...
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