Emily Tkaczibson

editor
Emily Anne Tkaczibson is a dramaturg by trade and works professionally in nonprofit development, focusing on grant acquisitions for arts and culture organizations, and as an editor and proofreader. She is a graduate of Carnegie Mellon University, with degrees in dramaturgy, history, and English. She has worked with independent contractors and organizations in Southern California such as Center Theatre Group, Shakespeare Orange County, PBS SoCal, and Inner-City Arts. Emily is also the co-founder and Literary and Managing Director of Talk Back Theatre, a small staged reading company that produces conversation-sparking new plays around important social, environmental, and political issues. Emily believes in the power of the arts to spark conversation and social change. She hopes to continue working in arts administration and development, expanding her artistic endeavors, and increasing her community's quality of life. She passionately pursues access for all--to the arts, to education, and to dignity.
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Most Popular Posts
Imagine/: Artificial Intelligence Comes to Theatrical Design by Michael Schweikardt 17th September 2022 Art, Dance, and Film of Ingrid Nachstern and Cate McNider by Alexander Fatouros 5th January 2023 Black Theatre in Asia—Spotlight Query by Todd Sullivan 6th January 2023 Kennedy Center Dramaturgy Intensive 2022 by Lydia Cochran 14th January 2023 “Zahhak: The Legend of the Serpent King” and… by Heather Waters 9th January 2023 Unjust Laughter: Representations of Equity-Deserving… by Amir Al-Azraki 8th January 2023 Trap Door Theatre’s “Princess… by Susanna Sun 26th January 2023 “Al Capone the musical” à la Francaise by Lisa Monde 31st January 2023 “The Bloody Poet: A Novel about Nero” at DESIRÉ… by Emilija Kvočka 4th January 2023 “Sonne, los jetzt!”: Elfriede Jelinek’s… by Toni Hildebrandt And Zainabu Jallo 22nd January 2023
Recent Posts
- “Al Capone the musical” à la Francaise 31st January 2023
- A Director’s Reflection: “Crimea 5 am” at The Kiln Theatre 27th January 2023
- Trap Door Theatre’s “Princess Ivona”: Piercing yet Healing 26th January 2023
- “Trade/Motorhead” at PROTOTYPE 2023 Festival 23rd January 2023
- “Sonne, los jetzt!”: Elfriede Jelinek’s Reversed Heliotropism for the End Times 22nd January 2023
- “Undine” at PROTOTYPE 2023 Festival 21st January 2023
- Digital Access Research Project (DARP) Launches at metaLAB (at) Harvard 21st January 2023
- “In Our Daughter’s Eyes” at PROTOTYPE 2023 Festival 20th January 2023
- Toronto’s Next Gen Theatre Makers are Looking for Answers to Big Questions 19th January 2023
- “note to a friend” at PROTOTYPE 2023 Festival 18th January 2023
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