She is in her eighties when we meet her and shares with the audience the story of her life which began in a tiny Russian village, took her to Warsaw’s ghettos and a ship called The Exodus, and finally to the boardwalks of Atlantic City, the Arizona canyons and salsa-flavored nights in Miami beach.
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A series of questions filled my mind. What was the motivation behind the choice of sets and costumes? In my opinion, the only thing that really worked well set wise was the ever-present void on stage, the grave downstage in which all bodies were thrown in – a constant reminder of death and of Richard’s deeds.
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Since Dimitris Papaioannou is a relatively unknown creator to the American audience, I feel...
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Antigoni Gaitana Interviews Lawrence Edelson, Founder of ALT and Artistic and General Director of...
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The evening of April 25th marked the culmination of Opera America’s Onstage at the Opera...
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On March 16, 2017, New York City was still recovering from the last snowstorm. On this frozen...
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“Laughs In Spanish” Review 25th June 2024 
Black and White. Aleksandr Volodin’s “Five… 2nd May 2025 
Five Young Performance Artists Unravel the Meaning… 24th April 2025 
“The Pillars of the Earth”: The… 12th March 2025 
Queer Surrealism in Two Sisters Find a Box of… 20th April 2025 