Allison Newey
executive assistant
Allison Newey is a third-year student at Keene State College majoring in Holocaust & Genocide Studies and Political Science and minoring in Theatre and International Studies. She has a love for writing and research, as well as a deep appreciation for the theatre and performing arts. She has performed, directed, and collaborated on several shows in greater Boston and the northeastern United States. She is Kennedy Center American College Theatre Festival nominee and was recently invited to perform for her performance of Cathy Hiatt in The Last Five Years at Keene State College. Some of her interests include musical theatre, dramaturgy, theatre and social issues, transcultural theatre, and historical theatre.
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Most Popular Posts
- Re-imagining the City through Performance:… by David O'Donnell 21st March 2024
- “I Killed My Mother/It Wasn’t My Fault.”… by Teodora Medeleanu 25th March 2024
- “Habitat” by Doris Uhlich: Performing a… by Marilena Borriello 6th August 2023
- Musical “Evita”: 45 Years Later by Lisa Monde 22nd February 2024
- Drag Queens in Musical Theatre by Lisa Monde 8th May 2023
- Design Writing: Five Views of Sarah Ruhl’s… by Michael Schweikardt, Connor Diaz, Tristan Fabiunke, Jessa Laboissonniere, Bre Lawscha, Benjamin Zingos 24th January 2024
- Wicked the Musical Celebrates Its 20th Anniversary… by Lisa Monde 9th November 2023
- “Haywire:” An Unsettling Account On… by Tawanda Mupatsi 22nd March 2024
- Towards New Theatre in Europe: What Roles Can… by Kasia Lech 8th April 2024
- Neurodivergent New Play Series Resumes Schedule for 2024 by Jenna Lourenco 18th February 2024
Recent Posts
- “That Perfect Dark”: Samuel Beckett’s “Company” in Dunedin 19th April 2024
- Anything Can Be Bought If The Price Is Right: Juan Mayorga’s “La Colección” (The Collection) 12th April 2024
- Staging Justice: Miguel del Arco revisits Jordi Casanovas’ “Jauría” and the case of “la manada” (the wolfpack) 9th April 2024
- Towards New Theatre in Europe: What Roles Can Multilingual Dramaturgies Play in Europe’s Future(s)? 8th April 2024
- Milan’s FOG Festival 7th April 2024
- Between The REMBELIO OF POPOLARI (“Omilies”, Carnevals, Anonymous Poets) And No Stable Funding 4th April 2024
- The Silent Service of Women: Cayenne Douglass’s “Maiden Voyage” at The Flea 2nd April 2024
- “Teeth” Bites Back Against Purity Culture: On Michael R. Jackson and Anna K. Jacob’s Musical 31st March 2024
- “I Killed My Mother/It Wasn’t My Fault.” Which Way Does One Get to Come-of-Age? 25th March 2024
- A Triple Bill on Desire and its Discontents: “La Voix Humaine”, “Erwartung” and Something in Between at Madrid’s Teatro Real 25th March 2024