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Bilal Hasna in For a Palestinian. Photo: Alessandra Davison Aaron Kilercioglu and Bilal Hasna’s For A Palestinian at Camden People’s Theatre: emotionally intense exploration of identity
26th September 2022, Aleks Sierz London, Palestine, Review, Theatre and Politics, United Kingdom
An Evening with Fats Waller: "Ain't Misbehavin'" at TUTS
23rd September 2022, Trevor Boffone Musical Theatre, Review, United States of America
VR and Theater Finally Make a Climate Baby: “From Sea To Rising Sea” Interview with Creator-Director-Choreographer Mary John Frank
22nd September 2022, Fareeda Pyracha Ahmed Immersive Theatre, Interview, New York, Theatre and Science, United States of America
Dangerous Desires in "Marie It’s Time"
21st September 2022, Morgan Skolnik Adaptation, New York, Review, Theatre and Gender, United States of America
"Who Killed My Father," Young Vic
16th September 2022, Duška Radosavljević Adaptation, Design, London, Netherlands, Review, United Kingdom
With "My Self in That Moment" Chamber Made Gives Us a Dystopian View of Our Lost Soul in the Digital Age
20th September 2022, Miriama Young Australia, Design, Musical Theatre, Review, Transmedia
Imagine/: Artificial Intelligence Comes to Theatrical Design
17th September 2022, Michael Schweikardt Design, Interview, Theatre and Science, Transmedia, United States of America
A Blast from the Past: Les Champignons de Paris by La Compagnie du Caméléon
15th September 2022, Lara Cox Interview, Oceania, Producing, Theatre and Decolonization
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September 2022
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